Kandinsky had the idea that art should be used to reveal the spiritual core of natural forms rather than simply copying and reproducing their visual appearance.īy working closely together on various art projects, Kandinsky and Marc gradually began to develop the concept that mystical energy can be revealed to full effect through the technique of abstraction.įranz Marc mainly chose animals as his subject as he thought that this would be a much purer means to get his message across. Auguste Macke, who Marc had met in 1910, also joined Der Blaue Reiter and was very active in shaping the style and message of the journal. The journal also hosted an exhibition that served to showcase many of the works of art that Franz Marc created in 19. In 1911 both Franz Marc and Wassily Kandinsky left the Neue Künstlervereinigung in order to establish their own rival group of artists that they named Der Blaue Reiter.Īt around the same time the pair also established and began editing an art journey of the same name.ĭer Blaue Reiter was dedicated to depicting the works of new artists as well as new art styles that were slowly starting to become more prominent and accepted in Germany as well as other parts of the world. In 1991 Franz Marc joined the Neue Künstlervereinigung and began working closely with fellow member August Macke, who was a young painter whose distinctive use of large areas of vivid colour inspired Marc to begin experimenting with this style. Marc met Russian painter Wassily Kandinsky in 1910 and he introduced him to the Expressionist artist group Neue Künstlervereinigung, which means the New Artists Association in English. The work of Franz Marc from this period can be seen to be mainly the classic Parisian style of the era, while many of his works of art were also inspired by his surroundings. He largely developed his own style by copying the styles of the artists who inspired him and adding his own unique flourishes. ![]() Marc was inspired and influenced by the emotional and vigorous brushwork of this Post-Impressionist painter and from this point on his work took a distinctly different turn, which can perhaps be seen in the painting Cats on Red Cloth, which was created from 1909 to 1910.ĭuring his time in Paris, Franz Marc spent a lot of time visiting Parisian museums and art galleries as well as meeting local artists. In 1907 Franz Marc took a trip to Paris, where he first encountered the work of Vincent van Gogh. He was very taken with the structure of many of the monuments that he saw as well as the dramatic nature of the landscape, which featured prominently in many of his works of art from this period. In 1906 Franz Marc travelled to Greece with his brother Paul, where he visited many of the most famous landmarks such as Mount Athos. His love for this newfound style drove him to adopt a more modern approach to painting, which can clearly be seen in his now signature vivid lines and simplified colours. ![]() Developing the Artistic StyleĪlthough Marc’s early works of art were painted in a rather academic and naturalistic style, in 1903 he discovered French Impressionistic painting. ![]() In the year 1900, when he was just twenty years old, Franz Marc became a student of the Academy of Fine Arts in Munich and received instruction from a number of the city’s leading and most influential art teachers. The Early Yearsįranz Marc’s father was a landscape painter and his work influenced his son from a very early age. These days, Franz Marc is often considered one of the most pivotal figures in the German Expressionist movement and he helped to popularise the movement during his lifetime both through his artwork and the articles that were published in the art magazine that he founded and ran. These paintings are acclaimed by art critics for their intense mysticism and Franz Marc is also known for being one of the founding members of Der Blaue Reiter, which is a society of German Expressionist artists that was established in Germany.
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